SELVA SMITH - VISUAL IDENTITY, 2023.
Joe Polar, 2023.
JOE POLAR - IDENTIDAD VISUAL - COLLAB 2023.
JOE POLAR - IDENTIDAD VISUAL - COLLAB 2023.
GUIDO, 2022.
GUIDO G - EDITORIAL - 2022
GUIDO G - EDITORIAL - 2022
GUIDO G - EDITORIAL - 2022.
GUIDO G - EDITORIAL - 2022
GUIDO G - EDITORIAL - 2022
GUIDO G - EDITORIAL - 2022
DISIDENCIA in da hood, 2022.
MARTINA SILVEIRA - EDITORIAL/ 2022.
MARTINA SILVEIRA - EDITORIAL/ 2022.
CAOIMHE, 2020.
CAOIMHE - TESTSHOOT - 2020-.
CAOIMHE - TESTSHOOT - 2020.
CAOIMHE - TESTSHOOT - 2020.
CAOIMHE - TESTSHOOT - 2020.
, 2020.
RÓS M. M. - TESTSHOOT - DUBLIN, 2019.
RÓS M. M. - TESTSHOOT - DUBLIN, 2019.
RÓS M. M. - TESTSHOOT - DUBLIN, 2019.
♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
EDITORIAL / ZEDA THE ARCHITEC 2020.
SOFIA - TESTSHOOT - 2020.
SOFIA - TESTSHOOT - 2020.
SOFIA - TESTSHOOT - 2020.
SO, 2020.
NEVVVVVVVV ♦, 2020.
NEVVV - VISUAL IDENTITY / 2020.
NEVVV - VISUAL IDENTITY / 2020.
NEVVV - VISUAL IDENTITY - 2020.
NEVVV - VISUAL IDENTITY - 2020.
NEVVV - VISUAL IDENTITY - 2020.
SisterHood, 2018.
EDITORIAL - RÓS M. M.
MIXED PORTRAITS, 2019-2020.
CAOIMHE - TESTSHOOT - 2018.
CAOIMHE - TESTSHOOT - 2018.
CIARA ALLEN - DUBLIN - 2020.
CAOIMHE - TESTSHOOT - 2018.
CIARA ALLEN - DUBLIN - 2020.
.nympha.
PAULA TROJNER - 2019.
PAULA TROJNER - 2019.
PAULA TROJNER - 2019.
PAULA TROJNER - 2019.
THEORIE DE LA COULEUR - (2019)
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
THEORIE DE LA COULEUR - 2019
.todoloimaginadopuedeserreal. P.P
FERE COX MUA - 2020.
FERE COX MUA - 2020.
.STATEMENT OF COLOR.
Statement of colour - featured in @koddmagazine 🇫🇷
Make up. @thecoxstudio
Stylist. @parlacenny
Clothes. @metrovtg
Hair. @irish_hairstylist_makeup
Make up. @thecoxstudio
Stylist. @parlacenny
Clothes. @metrovtg
Hair. @irish_hairstylist_makeup
wonderland.
CIARA ALLEN - DUBLIN - 2020.
CIARA ALLEN - DUBLIN - 2020.
CAOLAN - TESTSHOOT - DUB, 2020.
CAOLAN - TESTSHOOT - DUB, 2020.
CAOLAN - TESTSHOOT - DUB, 2020.
CAOLAN - TESTSHOOT - DUB, 2020.
MARCE, 2017.
PAULA, 2019.
TESTSHOOT, 2022.
GRUPA IE / 2020.
GRUPA IE / 2020.
RÓS M. M, DUBLIN - 2019.
SISTERHOOD - EDITORIAL - 2019.
RÓS M. M, DUBLIN - 2019.
RÓS M. M, DUBLIN - 2019.
DARK FRATERNITY, 2019.
EDITORIAL / 2019.
RÓS M. M. / 2019.
RÓS M. M. / 2019.
RÓS M. M. / 2019.
immaculate
crying.
/ I STILL REMEMBER YOU.
KYNSY - VISUAL IDENTITY, 2020.
FRAN - 2022.
P. J - 2019
P.J - 2019
2019
RÓS M. M. TESTSHOOT - DUBLIN - 2019.
nothing that could impress u but it's mine.
RÓS M. M. TESTSHOOT - DUBLIN - 2019.
YURIKA
YURIKA - 2019.
YURIKA - 2019.
YURIKA - 2019.
YURIKA - 2019.
YURIKA - 2019.
YURIKA - 2019.
YURIKA - 2019.
Entendimiento del cuerpo humAno.
SOL ALCARAZ X CESAR ARANCIBIA
SOL ALCARAZ X JIMENA CABEZAS.
RetratoS de una adolescencia (2017)
Inspirado en el segmento de la vida donde todo tiene que ver con Sofia Coppola y un pobre entendimiento de tu salud mental. //
// Inspired by the segment of life where everything has to do with Sofia Coppola and a poor understanding of your mental health.
RE-CORDIS
(2016-2017)
‘Re-cordis’ – es un proceso, un trabajo fotográfico, postales de un tiempo pasado traídas de vuelta hacia el futuro. Recordando, reinventando, construyendo y –des-construyendo las fotografías de un álbum familiar propio.
Estas imágenes, de carácter personal e íntimo intentan rememorar y renovar aquellos tiempos de una infancia, que en la mente, suenan y se ven mejores. Mezclando el pasado, con el presente, la reinvención, el cambio, el espacio, la distancia de aquella época y la lejanía y acercamiento en las relaciones personales y en las imágenes.
El álbum familiar es tomado, bajo la mirada de una de las integrantes de la historia, que cuentan estas fotografías, para cambiarlo pero nunca despegándose de aquellas imágenes del recuerdo.
Un fuerte arraigo con lo emocional y lo personal sacan esta historia a la luz, y de manera encriptada pero abierta se muestra ante la película, los retratos captados de aquello que en un momento, un espacio y un lugar fue y existieron. Hoy, vuelven a existir, diferentes pero iguales aún.
Ahora, detrás de cámara, y 20 años después, mezclando lo documental del álbum familiar, con lo lúdico del arte, me pongo detrás del lente que obturó aquellas imágenes, para formar las nuevas que ya no son nuevas, y que ahora son huellas nuevamente, ‘huellas renovadas, y diferentes’.
//
'Re-cordis’ - is a process, a photographic work, postcards of a past time brought back into the future. Remembering, reinventing, constructing and -un-constructing the photographs of a family album of one's own.
These images, of a personal and intimate nature, try to remember and renew those times of childhood, which in the mind, sound and look better. Mixing the past, with the present, the reinvention, the change, the space, the distance of that time and the remoteness and closeness in personal relationships and in the images.
The family album is taken, under the gaze of one of the members of the story, who tell these photographs, to change it but never detaching from those images of the memory.
A strong connection with the emotional and the personal brings this story to light, and in an encrypted but open way it is shown before the film, the portraits captured of what at one time, a space and a place was and existed. Today, they exist again, different but still the same.
Now, behind the camera, and 20 years later, mixing the documentary of the family album, with the playful of art, I get behind the lens that closed those images, to form the new ones that are no longer new, and that are now footprints again‘ 'renewed, and different footprints'.
These images, of a personal and intimate nature, try to remember and renew those times of childhood, which in the mind, sound and look better. Mixing the past, with the present, the reinvention, the change, the space, the distance of that time and the remoteness and closeness in personal relationships and in the images.
The family album is taken, under the gaze of one of the members of the story, who tell these photographs, to change it but never detaching from those images of the memory.
A strong connection with the emotional and the personal brings this story to light, and in an encrypted but open way it is shown before the film, the portraits captured of what at one time, a space and a place was and existed. Today, they exist again, different but still the same.
Now, behind the camera, and 20 years later, mixing the documentary of the family album, with the playful of art, I get behind the lens that closed those images, to form the new ones that are no longer new, and that are now footprints again‘ 'renewed, and different footprints'.
